Drawing inspiration from Dan Van Landingham's surrealist landscapes, the Mirer series (from the French verb meaning "to look") invites viewers to uncover anomolies and question the reality presented before them. Each poster in the series explores a facet of tension between perception and reality.

The first poster takes a psychological approach with the use of the text "I'm not a bad dog // I don't know why I bite." This phrase reflects our struggle between inherited tendences and the choices that define us, questioning how lived experiences and self-determination coexist wihthin the human condition.

The second poster delves into optical science, using illusions to show how the physiological processess within the eye and our anatomy both constructs and distorts the world around us presenting perception as a fluid and unreliable phenomenon.

The final poster featuring the text "Ceci n'est pas un paysage" ("This is not a landscape"), references René Magritte's "The Treachery of Images" and questions whether a depiction can truly embody what it represents. This exploration of semiotics and reality estavlishes the philisophical facet of the series.

Through its interplay of philosophy, science, and psychology, Mirer challenges us to not only observe, but to interrogate the lenses through which we perceive reality.